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| San Francisco Examiner - April 6, 1976 |
Those questions would be answered when, while living in Hong Kong, I was able to finally see the film, under its original title: Shivers. By this time I had seen both Scanners and Videodrome on the big screen, the former being my formal introduction to David Cronenberg, and Rabid on home video. I had also read the essay about Cronenberg by Martin Scorsese that had been published in Fangoria. So I knew what Shivers was all about.
Despite all that advance cultural and critical knowledge, I was still good and rattled by Shivers. It was cold, weird, and disturbing as only David Cronenberg seems capable of being. I loved it then and love it now.
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