Friday, July 24, 2026

The Lost World (1960) - Newspaper Ad

San Francisco Examiner - July 24, 1960
Producer-director Irwin Allen glued some plastic fins onto some live, and no doubt disgruntled, lizards, shot them with macro lens, and christened them DINOSAURS for this loose adaptation of Arthur Conan Doyle's classic adventure tale.

This might be on par with the colorful and campy television productions (i.e. Voyage to the Bottom of the Sea and Lost in Space) that made Irwin Allen something of a household name in the sixties, before he became the legendary Master of Disaster in the seventies. I have yet to see it, but my experiences watching reruns of Voyage to the Bottom of the Sea and Lost in Space, and Allen's lackluster and characterless direction of the both The Swarm and Beyond the Poseidon Adventure, do not fill me with hope.
 

Alien 3 (1992) - Trading Card #51

Behind the Scenes: Laser Disc Composite System
A special Laser Disc Composite System was invented for work on Alien 3. The system creates temporary video composites during the shooting of the miniature Alien, allowing crew members to immediately see how the Alien's actions will look on the real background.

Thursday, July 23, 2026

Wolfen (1981) - Newspaper Ad

Oakland Tribune - July 23, 1981
After having been beaten to the box office punch by Joe Dante's tongue-in-cheek The Howling and John Landis's only ever so slightly more serious An American Werewolf in London, both of which featured jaw dropping transformation sequences. The former designed by Rob Bottin and the latter created by Rick Baker, who won an Academy Award for his efforts on that film. Wolfen suffered unjustly in comparison. Because the titular creatures are just wolves with some minor optical effect overlays giving them a somewhat otherworldly look and feel.

In all honesty, Wolfen kind of looks and feels what a werewolf movie made by Christopher Nolan might look like. Make of that what you will.

Although the film does retain the setting, structure, and concept of Whitley Strieber's bestselling source material. It also creates all new storylines and characters to populate the setting and navigate the twists and turns of the somewhat underdeveloped narrative.

While some may have been disappointed at the lack of a more monstrous looking pack of creatures hunting the almost post-apocalyptic appearing Bronx neighborhood where most of the film was set. The movie worked for me.

I saw it on a double-bill with Escape from New York at the Parkway, in Oakland, and they paired perfectly. I could even envision them taking place in the same universe.
 

Fright Flicks - Trading Card #86

Alien (1979)


 

Wednesday, July 22, 2026

Dressed to Kill (1980) - Newspaper Ad

San Francisco Examiner - July 22, 1980
This was one of the more memorable movie going experiences of 1980 for me. Being that the opening sequence was, without a doubt, the most sexually explicit material I had ever seen. In a movie, at least. I had already thumbed through an issue of Playboy or two by that time.

But, like Alien the previous year, Dressed to Kill did provide a memorable post-viewing comment from my dad to my mother, when we got home from the matinee showing. "It starts with this woman masturbating in the shower. It was so explicit I started thinking I had brought the boys to the wrong kind of movie, but it didn't last long and the rest wasn't as bad. But there was a moment, there..."

I think this was the movie that made me a Brian De Palma fan. While I will acknowledge that there are aspects to the plot that are indeed very problematic, in regard to its clear transphobia. The movie is also very tongue in cheek and laced with a heaping helping of blackly comedic irony. Certain scenes are so slathered in comedic irony that the film brushes up against the line of creative self-parody.

John McCarty, in his seminal Splatter Movies: Breaking the Last Taboo of the Screen, said that, "Dressed to Kill may not be Psycho, but it is certainly a very skillfully made and entertaining copy."

I agree. This one really needs to be added to my blu-ray collection.

 

Alien 3 (1992) - Trading Card #50

Behind the Scenes: Finishing Touches
One member of the special effects crew puts the finishing touches on a miniature version of the EEV. This model was used to film shots of the EEV crashing to the planet's surface in the opening scenes of Alien 3.
 

Tuesday, July 21, 2026

The Leopard Man (1943) - Newspaper Ad

Oakland Tribune - July 21, 1943
The Vaudeville Stage Show surrounding The Leopard Man takes up most this ad, making it a crowded cacophony of appearances. I am also suspect that the quiet thrills and iconic door sequence might have jolted viewers that watched the stage show first. Or did the movie get screened first and then the stage relaxed everybody's jangled nerves? No idea, but there had to have been a little something for everybody to enjoy here.
 

Fright Flicks - Trading Card #85

A Nightmare on Elm Street II Freddy's Revenge (1985)

 

Monday, July 20, 2026

Hauntings: Is Anybody There? by Norah Lofts - Newspaper Ad

 

San Francisco Examiner - July 20, 1975
Although Norah Lofts was best known for her historical and romance fiction, she was also quite enamored with ghost stories. I was unaware of this until I uncovered this advertisement. Now I have several more books added to my shopping wish list.