Hauntings: Is Anybody There? by Norah Lofts - Newspaper Ad

 

San Francisco Examiner - July 20, 1975

Although Norah Lofts was best known for her historical and romance fiction, she was also quite enamored with ghost stories. I was unaware of this until I uncovered this advertisement. Now I have several more books added to my shopping wish list.

Alien 3 (1992) - Trading Card #49

Behind the Scenes - Under Construction

An exterior of the Weyland-Yutani prison facility had to be constructed for the movie's wide-angle establishing shots. This model represents the facility's ten square miles of living space and maze-like passageways. The two protruding cones will become vents, for the blast furnace.

The Intruders by Pat Montandon - Newspaper Ad

Oakland Tribune - July 15, 1975

After an irritated Tarot card reader hurls a curse at both her and the house she is living in, socialite Pat Montandon's life begins to unravel. As online review summarized "[Montandon] began to feel unsafe and uneasy in her apartment. She heard noises, felt dread, felt a presence. Mysterious fires broke out, her apartment was robbed, criminals seemed to be lurking about at all times."

Was it real, or was it just a figment of imagination and nervous paranoia brought upon the very real troubled and troubling times occurring in the city of San Francisco in the late 60s and early 70s? I have no idea, but finding this ad buried in the pages of the Oakland Tribune arouses my curiosity. 

Whether real or imagined, this is an interesting foreshadowing of true haunting genre that would arise following the larger commercial and cultural success of Jay Anson's book The Amityville Horror. Which would be published two years later, in 1977.
 

Fright Flicks - Trading Card #84

Vengeance The Demon (1988)

Another card utilizing the discarded alternate title for Pumpkinhead.
 

The Frighteners (1996) - Newspaper Ad

San Francisco Examiner - July 14, 1996

As much as I would have loved to have gone and seen The Frighteners on the big screen, it was released at a time when such luxuries were out of reach.

When I finally was able to catch up to the film when it hit home video, I thought it was a tad unfocused and all over the place. The organizational threads of story and character seemed to have gotten tangled with the distractions of the massive amounts of special effects.

While Jackson was aiming for a PG-13 rating, it became clear that the MPAA, for whatever reason, did not want the film to have that rating. No matter the amount of cuts and alterations made. So Jackson amped up the gore for one character's death, just so the R rating felt earned rather than arbitrary.

This one movie I need to revisit sooner, rather than later.

Alien 3 (1992) - Trading Card #48

Behind the Scenes - Lead Works Set

Here, the enormous Lead Works and Blast Furnace set undergo construction on the "007 Stage," the world's largest sound stage located at Pinewood Studios, London.
 

The Swarm (1978) - Newspaper Ad

Oakland Tribune - July 13, 1978

Irwin Allen's production of The Swarm is one of the crown jewels of my childhood. The pre-release hype and ballyhoo was impressive, causing the "killer bee" fear mongering of the late-seventies to reach a fever pitch. I had the movie-tie edition of the Arthur Herzog novel and examined each and every black and white photo, wondering if this movie would do for bees was Jaws had done for sharks.

Then the movie opened and, well, the rancid stench of flop sweat and fresh turkey manure filled empty theaters across the nation. Ineptly made and poorly written, The Swarm is a bombastic mess of a movie that was woefully out of touch with the era in which it was made and set. The meandering plot wanders and drifts at a pace that makes a glacial seem like a speed run.

Allen seems to have spent most of his big budget on wrangling an all star cast that, despite all having done solid to great work elsewhere, give performances here that range from wooden to operatically over the top. I think Michael Caine and Richard Widmark, who spend a majority of the film arguing with each other, made bet as to who could chew the most scenery and boy do the splinters fly when they  go at each other.

One of the many joys this film has given is the gleeful delight whenever I take the Warner Bros Studio tour. Being able to see and walk around the raw material with which "Marysville, Texas" was created on the Burbank backlot is an intoxicating joy that will forever have me wanting to take just one more tour and just a few more pictures.
 

Fright Flicks - Trading Card #83

Alien (1979)

 

The Fly (1958) - Newspaper Ad

San Francisco Examiner - July 10, 1958

A rather impressive roster of 'Hollywood Ghouls' will be attending tomorrow night's Studio Sneak Preview of The Fly. I have a suspicion that the Invisible Man was the subject of a "no show" joke of some kind. Unless they had some dude wrapped in bandages milling about.

Although The Fly would be released as part of a double-bill with the killer space fungus flick Spacemaster X-7, this sneak preview substitutes for Beautiful But Dangerous. Which was the co-hit for the Gregory peck starring western The Bravados, which would could watch before or after The Fly.

 

Alien (1992) - Trading Card #47

Behind the Scenes - Sound Stage

The sets - Lead Works, Toxic Waste Disposal, Morgue, Infirmary - were housed on this huge sound stage in London, England. Norman Reynolds, famed British production designer, gave the sets of Alien 3 continuity with the other Alien movies. Dirty, rough, crude, and eerie.