20 Million Miles to Earth (1957) / The 27th Day (1957) - Newspaper Ad [Oakland Tribune]

June 23, 1957

20 Million Miles to Earth tells the tragic tale of a Venusian animal brought back to Earth where, alone, confused, and scared, it is tormented by equally confused and scared humans. Although somewhat hampered by its paltry budget, the stop motion animation by Ray Harryhausen is superb. The unnamed alien, known to fans as the Ymir, is so skillfully animated that it moves and reacts as if it were a living being and not a mere special effect.

This would be the first of three films that Nathan Juran would make with Harryhausen. The other two being the 1958 classic The 7th Voyage of Sinbad and 1964's First Men in the Moon.

The 27th Day is a movie I have the vaguest memory of seeing a portion of on television. It was a scene of a man being hit by a car. But that is all I remember of it.

The film was based on a 1956 novel written by John Mantley, who would go on to write a season two episode of The Outer Limits that was titled Behold Eck! Mantley also served as producer, perhaps show runner, for the television series Gunsmoke from 1965 - 1975, and is credited with writing 17 episodes and producing 240. He also produced and wrote the late 1970s series How The West Was Won. He also had some producing credits on the series The Wild, Wild West, Buck Rogers in the 25th Century, and MacGyver.

I was also surprised and delighted to learn that the film was directed by William Asher. A television workhorse, Asher credited as director on 102 episodes of I Love Lucy, a first season episode of The Twilight Zone titled Mr. Bevis, 131 episodes of Bewitched, and many, many more.

But I know Asher best for directing the queasy 1981 hagsploitation-themed slasher thriller Butcher, Baker, Nightmare Maker, which I saw on the big screen as Night Warning.
 

Sinbad and the Eye of the Tiger (1977) - Newspaper Ad [San Francisco Examiner]

June 5, 1977

Sinbad and the Eye of the Tiger might be the only Ray Harryhausen effects movie I saw on the big screen. While this June 5, 1977 ad clipped from the San Francisco Examiner listed the Alameda Theatre, I remember seeing it at the ever reliable Southshore.

While the film has a bevy of stop motion beasties to enjoy, the only big screen moment that lodged in my memory was the antagonist bemoaning there was not enough magic potion to fully complete her transformation from bird back into human form. "Not enough! Not enough!"

 

Midnite Spook Show(s) - Newspaper Ad [Oakland Tribune - June 23, 1956]

It might not be a Friday the 13th, but that fact will not stop the venues in the Fox West Coast Theaters chain from holding yet another Midnite Spook Show.

If I had to choose between being able to see the classic chestnuts of Frankenstein (1931) and Dracula (1931) or the more contemporary House of Wax (1953) and The Beast from 20,000 Fathoms (1953) on the big screen, I just might have leaned toward the latter. Because I do love me some giant monster action.

The 7th Voyage of Sinbad (1958) - Newspaper Ad [Oakland Tribune - June 11, 1975]

Wow, I do not remember The 7th Voyage of Sinbad getting a theatrical re-release in June of 1975. The release of Jaws that very same month kind of eclipses everything else from that year, at least as far as how I remember it.

I also remember The 7th Voyage of Sinbad being something of a television viewing staple of my youth. If it was one, I would watch it.

The Beast from 20,000 (1953) - Newspaper Ad [San Francisco Examiner - June 24, 1953]

I have taken to describing Roland Emmerich's ill-conceived 1998 version of Godzilla as "a bloated and overlong, but nonetheless acceptable, remake of The Beast from 20,000 Fathoms."

Movies that had the word "Beast" in their titles were a matter of routine, back in the day. At some point, during any given week, there was bound to be a movie with a titular beast that lurked in some haunted cave, or cellar. One that had five fingers, or a million eyes. That craved blood, or had to die.

But the most coveted beast of them all, for me, was the one that came up from 20,000 fathoms. The infamous moment when a cop gets snatched up and gulped down, while no doubt laughable by today's standards, shook me to my core. Back when I was somewhere between the ages of 5 and 12, that is. 

I have heard and read conflicting stories about this film and its connection, real or supposed, to Ray Bradbury's short story The Fog Horn. Some versions have the filmmakers purchasing the rights to Bradbury's story prior to production. Other versions have the purchasing of the rights occurring during the production, when the similarities between a lighthouse scene and events in Bradbury's story were noticed and/or pointed out.

Here it might be best to invoke what I have come to call The Liberty Valance Rule: Whenever truth contradicts a legend, it might be best to just go with the legend.