Dr. Terror's House of Horrors (1965) - Newspaper Ad

San Francisco Examiner - May 4, 1965

While Amicus would produce a great many more, and quite a few better, anthology films. Dr. Terror's House of Horrors, the company's first such offering, is a nostalgic favorite of mine. It is one of those movies I grew up watching. Back when the proliferation of English and European genre films on the various late, late shows, as well as any and all syndication stations, made it seem as if Christopher Lee and Peter Cushing had starred in every horror movie made between 1957 and 1977. This one even had Donald Sutherland in it! I also recognized character actor Michael Gough.

My childhood favorite segment was The Creeping Vine, because a monster plant just seemed weird and cool to me. That segment also featured Bernard Lee. An actor best known for playing M in every James Bond film from Dr. No (1962), the first, to his final appearance in 1979's Moonraker.

As an adult I think my favorite segment just might be Werewolf. Maybe. But I do reserve the right to change my mind at any time.

The distributor looks to have dusted off the 1959 Hammer offering The Man Who Could Cheat Death to keep Dr. Terror company, whilst touring with his diabolical deck of terrifying tarot cards. 

Frankenstein Must Be Destroyed (1969) - Newspaper Ad

Oakland Tribune - February 11, 1970

Considering the amount of pre-release tampering that is alleged to have been done on Frankenstein Must De Destroyed, I was surprised to read that, when asked which of his own films were his favorites, Terence Fisher (in an interview in Vol. 4, Issue 3 of Cinefantastique magazine) said this was one of them. That, of all his films, Frankenstein Must Be Destroyed was the one he most enjoyed making.

As far as that supposed tampering goes, I heard there was a "last minute" decision it "spice up" the film with a sexual assault that, according to an interview with Veronica Carlson that appeared in (I think) Fangoria magazine, had both Cushing and Fisher apologizing to the actress throughout the filming of the scene.

Another ill-advised "last minute" inclusion was the comedic investigating carried on by Inspector Frisch (Thorley Walters). One could excise both the assault and Frisch scenes from the film and be left with a tighter, leaner, and far better paced movie, I think.

My favorite hammer Frankenstein's remain The Revenge of Frankenstein and Frankenstein Created Woman.

Double-billed with Frankenstein Must Be Destroyed is Dracula Has Risen from the Grave, the middle section of Hammer Film's trilogy of direct sequels to [Horror of] Dracula. While an interesting and entertaining enough follow up to Dracula Prince of Darkness, picking up more or less where that film ended, and leading directly into Taste the Blood of Dracula, I have to say that I prefer and enjoy both Prince and Taste a great deal more than Grave.

It is not bad, I just find it a tad slow and, because of that, it has tested of my patience at times. Other times, not so much.

Trog (1970) / Taste the Blood of Dracula (1970) - Newspaper Ad

Oakland Tribune - September 30, 1970

I know I have seen Trog, but all I remember is the scene involving Trog getting caught pilfering a handful of some fruit or veggie from a display bin by an unfortunate grocer. Nothing else. So it goes.

Yet I do remember the first time I saw Taste the Blood of Dracula. That was when it was aired on the CBS Late Movie - on Friday, September 11, 1981 - as the follow-up to another beloved (by me, at least) rerun of Kolchak: The Night Stalker.

The episode was The Sentry, which was the short-lived series final episode and one of the few I managed to see during its original primetime run.

Taste the Blood of Dracula would be the last Hammer Film Dracula with direct continuity to Horror of Dracula (1958). Taste starts where Dracula Has Risen from the Grave (1968) ended, which had picked up where Dracula Prince of Darkness (1966) had ended, which picked up a decade or so after the conclusion of Horror.

Prince, Grave, and Taste, be they intentional or not, are a pretty solid trilogy of Dracula sequels well worth the time and effort to watch.

The Skull (1965) - Newspaper Ad [San Francisco Examiner - September 28, 1965]

September 28, 1965

Despite my growing up on a semi-regular diet of assorted Hammer and Amicus films broadcast on television, coupled with my burning through all the Robert Bloch novels and short stories I could get my hands on in the late 80s and early 90s, a viewing of The Skull has eluded me.

The source material for the film was a short story by Bloch titled The Skull of the Marquis de Sade, which was first published in the September 1945 edition of Weird Tales. While I have read the story twice - first in Final Reckonings, the first volume of The Complete Stories of Robert Bloch, and again in the 1963 anthology Bogey Men - I have zero recall of it.

The Skull was first released on a double-bill with The Mad Executioners, a German 'Krimi' film from 1963. It appears to be one of a very few to receive wide distribution in the United States. If the IMDB is to be believed, that is.