| San Francisco Examiner - January 27, 1980 |
While fog banks might not be as iconic as, say, the holiday of Halloween. They do serve as a vital backdrop, or set dressing, in the creation of an ominous, threatening, or mysterious mood. What could go wrong with letting a ghost-laden fog take center stage?
Although the end result was just a "tad" unfocused, underdeveloped, and uneven, thanks in very large part to Carpenter's eleventh hour reshoots to ramp the film's scare factor way, way up, I still loved it.
The days of my thinking The Fog to be another flawless classic are long past, but The Fog remains one of my personal favorite Carpenter films.
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