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| Oakland Tribune - September 16, 1964 |
Godzilla's fourth cinematic outing is considered something a of high-water mark for the franchise. It features some of Eiji Tsuburaya's best effects work and the Big G's final performance as malevolent heel, before transitioning into a heroic and humanity defending giant monster.
The second feature is a retitled and trimmed down Americanization of a ponderous Czechoslovakian science fiction picture. Perhaps one might watch Tarkovsky's Solaris or Stalker, instead. Just a thought.
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