Just the ramblings, observations, opinions, memories, and memorabilia of a Gen X Horror Geek.
Friday, October 10, 2025
Thursday, October 9, 2025
Chato's Land (1972) - Slideshow
Carrie (2013) - Newspaper Ad
![]() |
| San Francisco Examiner - October 9, 2013 |
When I first saw the teaser for this version of Carrie, my hopes spiked that it would contain the section of the book deleted from the 1976 (and subsequent) version(s) due to budgetary limitations.
In the book, after Carrie White sets the gymnasium aflame and kills everybody at that the prom, she walks home and destroys everything and everyone in her path.
Yet, it was not to be. They just did the same thing again, it seems.
At least I can imagine a film adaptation of the maligned musical wherein Carrie walks home singing a song titled "You Know My Name" or something similar, while setting off a torrent of orgiastic destruction and retribution.
Lady Death: Dark Alliance - Trading Card #30
Wednesday, October 8, 2025
Chato's Land (1972) - Soundtrack
Jerry Fielding's score for Chato's Land, the first pairing (of six) of star Charles Bronson with director Michael Winner, is as dark and difficult as the film itself. The composer's creative affinity toward dissonance and atonality allows for the perfect underscore as the anger and tension seething onscreen builds to outbursts of brutal violence (a Winner trademark).
This score came during one of Fielding's most blistering creative streaks, which occurred in 1971 and '72. During this period he composed the scores for eight feature films, two made-for-television movies, a whopping ten television pilots, and multiple episodes of regular television. It seems that the scarring left by being blacklisted instilled in Fielding a terror of not being able to work, making him incapable of turning down any and all job offers.
The late Nick Redman, in his reprinted liner notes for this Intrada reissue, singles out Fielding's Main Title for praise, pointing out how it moves from a forceful melody into strange and worrying percussion that is indicative of the merciless brutality that is to come.
Redman describes Fielding's overall work here as "rough-hewn, pitiless, without mercy" and I agree. It is a dark and brooding listening experience that unsettles every bit as much as it impresses.
Halloween 5 (1989) - Newspaper Ad
![]() |
| Oakland Tribune - October 8, 1989 |
Halloween 5 would be the last film in the franchise I would see on the big screen until 2018's Halloween. I found it odd that The Revenge of Michael Myers subtitle only appeared in the marketing materials for the film and not in the actual film.
This yet another sequel the undoes the plot twists of a previous entry, just as Psycho III and Hellraiser III: Hell on Earth had done. I remember enjoying it well enough, but have not seen it from start to finish in decades, at least.
Tuesday, October 7, 2025
Emergence (Dave vs. The Monsters #1) by John Birmingham - Review
Dave Hooper's hangover from Hell is compounded by a disaster at his workplace, an on off-shore oil rig located in the Gulf of Mexico. It seems that monsters have scurried up from the ocean depths and have begun snacking on the crew.
Our Trail Cam - Vol. 30
Frankenstein 3D [Flesh for Frankenstein (1973)] - Newspaper Ad
![]() |
| San Francisco Examiner - October 7, 1982 |
Paul Morrissey's over-the-top and pitch black comedic take on the Frankenstein story got a re-release when 3D made a brief comeback in the early 1980s. I have only seen it on video, but if the opportunity to see it in all of its 3D grisly glory on the big screen, I would take it.
"To know death, Otto, you have to fuck life... in the gall bladder!"

%20-%20The_San_Francisco_Examiner_2013_10_09_A14.jpg)


%20-%20Tribune_Sun__Oct_8__1989_.jpg)


%5D%20-%20The_San_Francisco_Examiner_1982_10_07_68.jpg)