![]() |
San Francisco Examiner - July 4, 1990 |
Every year we kick off the Christmas season by attending Smuin's Christmas Ballet. So my eyebrows shot up when I saw that Michael Smuin had directed this musical comedy-thriller that I had never heard of, despite my living in San Francisco at the time of its production. Not that I could have afforded a ticket. So it goes.
A little digging uncovered that The Curse of the Werewolf was a revival of 1976 'monster-melodrama' written by Ken Hill. The less than stellar review the Examiner critic gave this production, on June 15th, described Hill as an "English writer who takes public domain stories, redesigns them as spoofs, and sets them to public domain songs from long-forgotten operettas." Okay.
Despite having the same title as a 1961 Hammer Film production starring Oliver Reed and directed by Terence Fisher, The Curse of the Werewolf is not based off any pre-existing material. Hill himself heavily revised his script for this production, which also featured an all-new score.
In an Examiner article that appeared in the Sunday, June 10th Datebook, Smuin described the show as "somewhat reminiscent of Mel Brooks' Young Frankenstein, with a dash of Monty Python."
As promising as that sounds, and as popular and successful as The Curse of the Werewolf was in Canada and England, it having been produced some 35 times from 1976 through to 1990, it seems this presentation had a struggle getting an audience.
No comments:
Post a Comment