| Oakland Tribune - January 30, 1976 |
Ghoulies, Ghosties, and Long-Leggedy Beasties
Just the ramblings, observations, opinions, memories, and memorabilia of a Gen X Horror Geek.
Friday, January 30, 2026
Blackbeard's Ghost (1968) - Newspaper Ad
Fright Flicks - Trading Card #30
| Day of the Dead (1985) |
Thursday, January 29, 2026
Deep Rising (1998) - Newspaper Ad
| San Francisco Examiner - January 29, 1998 |
While my expectations were not throughly met, I was far more satisfied and entertained by the film than my brother, who thought it was terrible.
My primary complaint with the film was that Rob Bottin's monster design was created via CGI, not with practical effects. Granted that the option they went with did give the creature a range of visual motion that would have been a time-consuming struggle to achieve via miniatures or stop motion. But I sure would have loved to see them try.
At least the monster's partially digested leftovers were on step practical effects.
I also love darkly comedic the tagline featured in the trailer: "Women and children first. You're next."
Lady Death: Dark Alliance - Trading Card #65
Wednesday, January 28, 2026
Evilspeak (1981) - Newspaper Ad
| Oakland Tribune - January 28, 1982 |
What made that particular Saturday even better was that John Carpenter's second (and first professional) feature film, Assault on Precinct 13, was aired, complete and uncut, on Channel 44 that night. I made an audio cassette recording of that broadcast and listened to it over and over for months. Until the tapes started wearing out.
Last year a ginormous feral pig, who I named Wilbur, was captured on our trail camera and the moment I saw him (and he is most assuredly a him) Evilspeak came to mind. Because of course it would. The ending of this movie is just hog wild.
Tuesday, January 27, 2026
The Fog (1980) - Newspaper Ad
| San Francisco Examiner - January 27, 1980 |
While fog banks might not be as iconic as, say, the holiday of Halloween. They do serve as a vital backdrop, or set dressing, in the creation of an ominous, threatening, or mysterious mood. What could go wrong with letting a ghost-laden fog take center stage?
Although the end result was just a "tad" unfocused, underdeveloped, and uneven, thanks in very large part to Carpenter's eleventh hour reshoots to ramp the film's scare factor way, way up, I still loved it.
The days of my thinking The Fog to be another flawless classic are long past, but The Fog remains one of my personal favorite Carpenter films.